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CYRANO DE BERGERAC

ARTEFACT

 

"There’s a lovely weight to the anticipation that pays off gloriously in the other design elements. Tim Bonser’s lighting design asserts itself from the moment light shines up through the grating, to two sparse beams holding Roxanne’s face in the darkness, the calamity of war and its aftermath" - Australian Arts Review

 

Fortyfivedownstairs

​Director: Matthew Cox

Set Design: Ashley Reid

Costume Design: Dylan Lumsden

Photography: Matthew Chen

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DJUNA

BULLET HEART CLUB

 

"Bethany J Fellows hotel room set and costumes for Mills and Gold are fantastically trashy which combined with Tim Bonser's lighting give us a multi-textual seediness that makes one feel dirty by association" - Theatre Matters

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Darebin Speakeasy, Northcote Town Hall

Director: Kitan Petkovski

Set & Costume Design: Bethany J Fellows

AV Design: James Paul

Photography: Darren Gill

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CALIGULA

BURNING HOUSE

 

"Lighting by Tim Bonser takes some of the bigger dramatic episodes to the next level" - Theatre Matters

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"The set by Riley Tapp and lighting by Tim Bonser make an exquisite and luscious combo, elevating the production and giving the audience a feast for the eyes" - Australian Arts Review

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Theatre Works

Director: Robert Johnson

Set & Costume Design: Riley Tapp

Photography: Jack Dixon-Gunn

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THE PLACEHOLDER

MIDSUMMA FESTIVAL

 

"Tim Bonser’s lighting design here is especially impressive, giving the impression of that unflattering domestic lighting while doing a superb job in giving the actors what they need to bring their characters to life" - Theatre Travles

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Fortyfivedownstairs

Director: Kitan Petkovski

Set & Costume Design: Bethany J Fellows

Photography: Darren Gill

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GUYS AND DOLLS

ANTIPODES THEATRE COMPANY

 

​​"Lit in creative and exciting ways" - Theatre Travels

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Green Room Award nominated lighting design

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Chapel off Chapel

Directors: Trudy Dunn & Brandon Pape

Set & Costume Design: Bianca Pardo

Photography: 3 Fates Media

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ONE DAY IN SEPTEMBER

PERRYMAN THEATRE COMPANY

 

“An excellent lighting design (Tim Bonser) creates a sense of mood with great effect" - Theatre Matters

 

“The lighting by Tim Bonser is also fantastic. Just watch out for the dramatic dance number in Act 2, the lighting in this really accentuates the emotions in Gonzalez’s dancing” - Lilitha Reviews

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Athenaeum Theatre 2

Director: Trudy Dunn

Set & Costume Design: Bianca Pardo

Photography: Matthew Chen

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CONSTELLATIONS 

ARTEFACT

 

"Tim Bonser’s lighting does superb work in seamlessly taking us through the many complex iterations of the story" - Theatre Matters

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45 Downstairs

Director: Matthew Cox

Set Design: Sunni Cooper

Photography: Ben Andrews

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100 REASONS FOR WAR

CALAMITY PRACTICE

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45 Downstairs

Director: Bob Pavlich

Set & Costume Design: Sonia Di Iorio

Photography: Harper Owen & Tim Bonser

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MR BURNS, A POST-ELECTRIC PLAY

JMC ACADEMY

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St Martins

Director: Matthew Cox

Photography: Matthew Chen

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MEASURE OF A MOMENT

PUNCHBUGGY THEATRE

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La Mama Carlton Courthouse

Director: Robert Johnson

Photography: Cameron Grant

Set & Costume Design: Riley Tapp

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INTO THE WOODS

FEDERATION UNIVERSITY ARTS ACADEMY

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Helen Macpherson Smith Theatre

Director: Alister Smith

Set & Costume Design: Riley Tapp

Photography: Jodie Hutchinson

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I acknowledge and pay respect to the Wurundjeri people as the Traditional Owners of the land on which I live. 

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